New tongues inners w fully seeled stitch, no ‘blowout’ & cheaper filling (this maybe a catalog upgrade(?)) (note: white label doesn’t necessitate cheap or poor quality either, im sure u enjoy some generic products in life?)
MOONLIGHT SKATES UPGRADE
TMK the first unique upgrade was the moment they made those aesthetic heels that were ‘theirs’ not from a catalog & thus stopped being white label period.
MLR GROWTH -> If if u look at complaints theyve addressed nearly every complaint, improved CS, QC, the have huge quarterly sales/giveaways & improved every troublesome component/ stitch to some degree wo any price increase from starting tiny og white label batch that was intended to be pop up rentals (but COVID). I broke down skates by boots plates & components materials & specs & then looked at my objective preferences & desired style & moonlights pros much outweighed cons over others, it was just best buy for me. MY ADVICE ON MLR: For primarly dance/rythym skate I do highly rec. I enjoy my pair plenty and will even more when I change the plate. If you have your heart set on the moonlights, go for it. I only went through skates I know, are the traditional looking heeled skates, and I find to be accessible. I've heard awesome things about the Jackson's and the chayas I found awesomely comfy, stock materials perfect, great plate. If you like the support/padding of the impalas but want to upgrade, look into jackson mystiques or chaya elites. Another option is the riedell zone skate which is a better priced lolly boot in a medium instead of narrow width and then you can dye the suede whatever color you want. The boardwalks are stiffer suede and require a bit of break in, but they'll mold to your foot shape very nicely and last a very long time. If you want good suede boots, lollys are good for narrow feet (but overpriced these days, still a very comfy good quality boot), or boardwalks for wider feet.
So comfy, similar to the moonlight boot, and the 20° action on the plates are wonderfully responsive, one of my faves for sure If you want a soft cushy boot like the moonlights, crazy skate evokes are awesome. The moonlights' plates are really no different than the stock plates on impalas. Skates that I love didn't work for other friends because they have very narrow feet.Īlso, the plate that you're skating on makes a huge difference. I never got properly fitted but have tried tons of skates (moxi lollies, Sure Grip Boardwalks, moonlight, impala, candi girl carlin, chaya Melrose, crazy skate evokes, Sure Grip darts, antik AR-1, bont parkstar, van skates, riedell 135, 220 & 355, VNLA jrs., and oberhammer suede skates)Ĭertain skates that others love don't work for me because of my wide feet. The best skate for you is one that fit your foot correctly. It is a very comfy boot, for sure, I like my pair a lot at the rink, but i just like them and the stock plate is not nearly as responsive as the other skates I've tried. You can check out the original trailer below.Honestly, the moonlights aren't really an upgrade from impalas, except for having a different, softer boot. The film was nominated for no less than ten Oscars at the 49th Academy Awards, including Best Picture, Best Actor (Finch), Best Actress (Faye Dunaway), Best Supporting Actress (Beatrice Straight), and Best Original Screenplay. On release, Network was lauded as a masterpiece, with stars like Peter Finch receiving particular praise for their performances. As a result, the Network executives are forced to reconsider their decision after this shocking news causes ratings to soar. After receiving the news, he announces to viewers that he will kill himself during his farewell broadcast.
It’s truly the best screenplay ever.”ĭirected by Sidney Lumet, Network tells the story of a veteran anchorman who is forced to resign from his post. It has that famous line, like, “I’m mad as hell and I’m not gonna take it anymore.” It really is about feeling fucked over by the system and not being down for it anymore. “Any director you love, this is in their top five favourite movies. It’s just one of the best movies ever made,” Hill gushed. But there was one film in particular that Hill was especially enthusiastic about, 1976’s Network: “Arguably the greatest screenplay of all time by Paddy Chayefsky.
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